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"A superb tutorial for anyone wanting to learn from pros how to polish fiction writing with panache."--Library Journal
- Sales Rank: #405742 in Books
- Published on: 1994-03
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 5.50" w x .75" l,
- Binding: Paperback
- 240 pages
Amazon.com Review
There's not much of the old-style editing going on at publishing houses today. Renni Browne, veteran of William Morrow and other publishers, founded the Editorial Department in 1980 to teach fiction writers the techniques professional editors (many of whom have gone independent) use to prepare a manuscript for publication. In this book, she and senior editor Dave King share their accumulated expertise in a series of brilliantly compact lessons. One page from their simply and markedly improved version of a scene from The Great Gatsby alone would make a compelling advertisement for their techniques. Very highly recommended. --MTB
From Library Journal
Both novice and seasoned fiction writers can ensure themselves greater publishing success by correcting textual problems before submitting their manuscripts to an editor. This exemplary instruction manual offers readers the wisdom of two experienced editors who focus on writing/editing techniques (the mechanics of dialog, characterization, point of view, etc.). Adhering to fiction's underlying principle of "show and tell," this lively text includes both good and bad examples in each lesson. At the end of every chapter is a tip checklist to match against one's own work and two or three exercises with which to practice and reinforce the chapter's topic. A superb tutorial for anyone wanting to learn from pros how to polish fiction writing with panache.
- Cathy Sabol, Northern Virginia Community Coll., Manassas
Copyright 1993 Reed Business Information, Inc.
Review
"A superb tutorial for anyone wanting to learn from pros how to polish fiction writing with panache.
"Both novice and seasoned fiction writers can ensure themselves greater publishing success by correcting problems before submitting their manuscripts to an editor. This exemplary instruction manual offers readers the wisdom of two experienced editors who focus on writing/editing techniques (the mechanics of dialogue, characterization, point of view, etc.). Adhering to fictions' underlying principle of "show and tell," this lively text includes both good and bad examples in each lesson. At the end of every chapter is a tip checklist to match against one's own work and two or three exercises with which to practice and reinforce the chapter's topic." -- The Los Angeles Times Book Review, April 11, 1993
"An entire book on improving what you've written is SELF-EDITING FOR FICTION WRITERS, which comes from professional editors who know their stuff." -- The Lost Angeles Times Book Review, April 11, 1993
Most helpful customer reviews
49 of 49 people found the following review helpful.
Useful for the aspiring writer of fiction
By S. DEMILLE
When I read this book, I kept my fluorescent highlighter nearby, and took my time with every paragraph. All the subjects are here: show and tell, characterization and exposition, point of view, interior monologue, etc. The authors are editors themselves and give advice based on their editorial careers. What I enjoyed most were the exercises at the end of each chapter. And unlike most instructional books, this one has the answers to the exercises. After reading the book, I went back over my own work and splattered the pages with red ink. Of all the writing instruction books I've read, this one has been the most useful (and interesting).
40 of 40 people found the following review helpful.
Maybe U're Looking 4 Self-Editing Skills--Not Writing Tips!
By A Customer
This book is written in Laymen's terms so it's very simple to understand. One very mentionable thing is that many writers like me think they are looking for writing tips to improve their writing when in fact they're looking for self-editing skills on how to correct writing problems.
I was looking for info in which to strengthen my work. Get rid of the -ly adverbs and things such as telling how a character felt instead of letting the character speak for him or herself. That's just the half of it. Other things were knowing something was wrong with my work, but having no clue what it was, or if I did know, then having no clue on how to fix it.
Now there's no problem. Everything that I needed was in this book. The book explains how to balance dialogue with narrative, how not to weaken your work of fiction with overly poetic composition. There's much more. Such as trying not to force a voice you don't have. How to find your own voice. Basically everything. There's not one thing in this book that wasn't covered that had been a problem for me at some point or another. Now it seems that I have no more problems whatsoever, except maybe a little brush up on my grammar.
The entire book is well organized into 12 chapters that can be thought of as helping you work through 12 major weaknesses (plus many minor ones). It explains thoroughly on how many novices end up looking like novices or amateur writers by trying not to. For example, by trying to avoid the overuse of "he said," by replacing it with similar statements like he replied, he yelled, he blurted out. But that quickly draws attention to readers or editors and publishers that that's an act of a novice or just as bad--it draws the reader away from the story.
Also there's the chapter that helps greatly on keeping your characters from sounding too stiff and unrealistic. I thought I had all that worked out... then I read the chapter and found out that I was wrong.
And for those like me who have been looking for years for an organized system in which you may go through a creative writing process and then edit your work in a way that doesn't require you to become overwhelmed, or require you to intermix your editing with your writing. You will start to see just how it can be done as soon as pick the book up and start reading through several chapters. You'll know how to separate the two, and finally, what to edit and how to edit it.
The book is not missing any single problem that all writers haven't been through at one time or another. You double this book up with a good punctuation book or grammar book (just to strengthen your knowledge to help you avoid grammar problems) then you'll have a sure path to getting yourself published if you've got the ambition.
Most importantly, I think this book is a big blessing for people like me who might feel like if anyone else edited their work then it really isn't their work entirely.
39 of 40 people found the following review helpful.
A 10 star WINNER!!!!!!!!!!
By Big Goose
When I was in High School and college, I remember people searching for old quizzes. We wanted to know what was on the exam and focused our midnight oil burning sessions trying to mimic the success of past victims. Zuckerman and Stein are great on telling you how to build a good novel (I recommend them also) but Self Editing is the key to the exam. One of the main problem areas in my writing is telling instead of showing when only one character in a scene. I have read accepted works of fiction that had no dialogue and I would see many cases of what I thought was telling --I was thoroughly confused. Self Editing opened the heavens and now I can write a good internal monologue instead of telling. I learn best by example and this book has example after example. If I had found this book a year ago, I would probably be finished with my novel. I have spent hundreds of dollars on writing books and I consider this one to be my most valuable reference. I could spend hours praising the authors for their clear and concise lessons. My only regret in this review is that I can't give the book 10 stars.
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