Kamis, 19 September 2013

[V266.Ebook] Download PDF The Client's Guide to Cognitive-Behavioral Therapy: How to Live a Healthy, Happy Life...No Matter What!, by Aldo R. Pucci

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The Client's Guide to Cognitive-Behavioral Therapy: How to Live a Healthy, Happy Life...No Matter What!, by Aldo R. Pucci

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The Client's Guide to Cognitive-Behavioral Therapy: How to Live a Healthy, Happy Life...No Matter What!, by Aldo R. Pucci

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The Client's Guide to Cognitive-Behavioral Therapy: How to Live a Healthy, Happy Life...No Matter What!, by Aldo R. Pucci

Cognitive-behavioral therapy (CBT) is a very instructional approach to therapy. CBT gives the client the skills and confidence they need to continue doing well in their therapy program.For those participating in CBT, The Client's Guide to Cognitive-Behavioral Therapy is an invaluable resource. Author Aldo R. Pucci guides you step-by-step through the therapy process, reinforcing what the cognitive-behavioral therapist teaches during therapy sessions.Written in an easy-to-understand style, this comprehensive guide includes information on the following topics:Identifying and overcoming factors that affect progress in therapySetting and achieving goalsThe actual cause of emotional distress and behavioral problemsIdentifying and refuting problem thoughtsCommon mental mistakes that cause emotional distress and behavioral problemsDeveloping new, healthy thoughts and behaviorsPracticing new, healthy thoughts and behaviors so that they become automaticObtaining long-term results.Although The Client's Guide to Cognitive-Behavioral Therapy is designed for people receiving counseling, it is also helpful for those seeking a self-help approach to their personal problems and concerns.

  • Sales Rank: #89078 in Books
  • Brand: Brand: iUniverse, Inc.
  • Published on: 2006-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .34" w x 8.25" l, .79 pounds
  • Binding: Paperback
  • 150 pages
Features
  • ISBN13: 9780595380763
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Aldo R. Pucci, MA, DCBT is the founder and president of the National Association of Cognitive-Behavioral Therapists and the president of the Rational Living Therapy Institute. He is a licensed professional counselor, a board-certified clinical hypnotherapist, and a diplomat in cognitive-behavioral therapy. He has taught the theory and practice of cognitive-behavioral therapy to thousands of mental health professionals throughout the United States.

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32 of 32 people found the following review helpful.
A great self-counseling and self-help book!
By disappointed
A great self-counseling and self-help book, using clinically proven methods for improving your emotions!

Your goal for your emotions explains Pucci, is "calm." People often mistakenly believe that the only goal for significant depression and anxiety is happiness, when in fact, the goal needs to be calm. Learning to feel calm in the midst of unfortunate events allows you to more often feel happiness and contentment when things are going well.

I recommend beginning with Chapter 3, "Our Emotional ABC's." People mistakenly believe that A (Adverse events) directly cause C (Consequences of emotions, such as significant anxiety, anger, or depression). In fact, A (Adverse events) trigger B (Beliefs & self-talk) and B (Beliefs & self talk) primarily cause C (Consequences of Emotions such as depression, anxiety, anger, or your goal of Calm). When you learn the details of this essential fact and learn how to use ABC self-help methods, you will experience significant improvement in your emotions.

I have taught the ABCs to my own children when they were growing up and I practice the ABCs of emotions in my life.

A note to counselors - read this book and learn how to more easily present self-help methods to your clients in counseling sessions. This book is directly related to rational emotive behavior therapy and at [...] are listed over 500 outcome REBT research studies. All therapists want to accelerate therapy for their clients. Ask your clients to read, "The Client's Guide to Cognitive-Behavioral Therapy" in order to accelerate your counseling and therapy.

Lynn Clark, clinical psychologist and author of SOS Help For Emotions: Managing Anxiety Anger And Depression. In addition to reading Pucci's book, I have attended his excellent seminar on cognitive behavior therapy for mental health professionals.

16 of 16 people found the following review helpful.
Anxiously Awaiting
By MD Realtor
As a long time anxiety sufferer, I've read all the books available pertaining to working with the symptoms. Relax, they all say. Unfortunately, relaxing only makes the issue worse as its not confronted head-on. I've always thought relaxing was the key too, but alas, this book by Pucci set the record straight. Since incorporating his techniques, I've noted enough improvement so to be able to stop taking my medication.

CBT is probably not for everyone but well worth investing the cost of the book to find out if its right for you. I don't know Pucci, but am thankful for his contribution to this issue through his book. Don't delay in ordering it. Your recovery begins the moment you begin reading it.

Best wishes to you. Send me an email if you like as I'd be interested in sharing our stories.

17 of 22 people found the following review helpful.
Some useful information
By iconoclast59
I found some interesting and helpful information in this book. However, there are a couple of points the author makes with which I disagree. Aldo Pucci says that people "can't make you" feel a certain way; I think that, while your feelings may be colored by your past experiences, people can and do trigger sadness, anger, love, joy, etc. by their behavior towards each other. To suggest otherwise is to say that we're absolved from having any responsibility for treating one another with caring and kindness -- that's not the kind of world in which I want to live! Also, Pucci says that, beyond infancy, a person "can't be killed" from a lack of love. Again, I beg to differ; while a loveless life won't strike you dead like a bolt of lightning, there have been countless studies showing that people going through life without a partner die earlier. So, while Pucci gives some useful examples of "stinkin' thinkin'" and how to counteract such negative self-messages, his emphasis on a totally self-reliant life seems bleak and lonely to me.

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Senin, 16 September 2013

[J880.Ebook] Ebook Free SAP BW 7.4 - Practical Guide

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SAP BW 7.4 - Practical Guide

  • Published on: 1656
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Senin, 09 September 2013

[D124.Ebook] Ebook Download Creo Parametric 4.0: Part One- Lessons 1-12, by Louis Gary Lamit

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Creo Parametric 4.0: Part One- Lessons 1-12, by Louis Gary Lamit

This the non-color (black and white) version of Part 1 of the book. PTC Creo Parametric 4.0 is one of the most widely used CAD/CAM software programs in the world today. Any aspiring engineer will greatly benefit from the knowledge contained herein, while in school or upon graduation as a newly employed engineer. Significant changes, upgrades, and new capabilities including have made PTC Creo Parametric 4.0 a unique product. This is not a revised textbook but a new book covering all the necessary subjects needed to master this high-level CAD software. There are few if any comprehensive texts on this subject so we hope this text will fill the needs of both schools and professionals alike. The text involves creating a new part, an assembly, or a drawing, using a set of commands that walk you through the process systematically. Lessons and Projects all come from industry and have been tested for accuracy and correctness as per engineering standards. Projects are downloadable as a PDF with live links and 3D embedded models. Visit: www.cad-resources.com

  • Sales Rank: #126392 in Books
  • Published on: 2017-01-24
  • Original language: English
  • Dimensions: 11.00" h x 1.34" w x 8.50" l,
  • Binding: Paperback
  • 594 pages

About the Author
Louis Gary Lamit teaches (Creo Parametric) at De Anza College (since 1984) in Cupertino, CA. Mr. Lamit has worked as a drafter (1966), designer, numerical control (NC) programmer, technical illustrator, and engineer in the automotive, aircraft, and piping industries. A majority of his work experience is in the area of mechanical and piping design. He started as a drafter in Detroit (as a job shopper) in the automobile industry, doing tooling, dies, jigs and fixture layout, and detailing at Koltanbar Engineering, Tool Engineering, Time Engineering, and Premier Engineering for Chrysler, Ford, AMC, and Fisher Body. Mr. Lamit has worked at Remington Arms and Pratt & Whitney Aircraft as a designer, and at Boeing Aircraft and Kollmorgan Optics as an NC programmer and aircraft engineer. He also owns and operates his own consulting firm (CAD-Resources.com- Lamit and Associates), and has been involved with advertising, and patent illustration. He is the author of over 40 books, journals, textbooks, workbooks, tutorials, and handbooks, including children’s journals and books. Mr. Lamit received a BS degree from Western Michigan University in 1970 and did Masters’ work at Wayne State University and Michigan State University. He has also done graduate work at the University of California at Berkeley and holds an NC programming certificate from Boeing Aircraft. Since leaving industry, Mr. Lamit has taught at all levels (Melby Junior High School, Warren, Mi.; Carroll County Vocational Technical School, Carrollton, Ga.; Heald Engineering College, San Francisco, Ca.; Cogswell Polytechnical College, San Francisco and Cupertino, Ca.; Mission College, Santa Clara, Ca.; Santa Rosa Junior College, Santa Rosa, Ca.; Northern Kentucky University, Highland Heights, Ky.; and De Anza College, Cupertino, Ca.). PTC Publications: Basic Pro/ENGINEER 18 in 20 Lessons Basic Pro/ENGINEER 19 Pro/ENGINEER 2000i Pro/E 2000i2 Pro/ENGINEER Wildfire Introduction to Pro/ENGINEER Wildfire 2.0 Pro/ENGINEER Wildfire 3.0 Moving from 2D to 3D CAD for Engineering Design Pro/ENGINEER Wildfire 4.0 Pro/ENGINEER Wildfire 5.0 Creo Parametric Creo Parametric 2.0 Creo Parametric 3.0 Creo Parametric 4.0 Part 1 Creo Parametric 4.0 Part 2

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Jumat, 06 September 2013

[O769.Ebook] Free PDF Why Romantic Relationships Fail: How Emotions, Behavior, and Personality Types Influence Romantic Relationships, by M.D., Ghazi Asaad

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Why Romantic Relationships Fail: How Emotions, Behavior, and Personality Types Influence Romantic Relationships, by M.D., Ghazi Asaad

This timely book explores the complicated world of romantic relationships and offers a comprehensive analysis of of situations that lead to the breakdown of relationships and marriages. It examines the origins of love and hate and reviews several psychodynamic theories as well as modern research findings in at attempt to to understand the complexities of human behavior and emotions as they influence romantic relationships. The book describes various mental conditions, sexual disorders and personality types and explains the roles such conditions play in romantic relationships. Several actual case examples are presented, and chapters on abusive relationships, marriage, divorce, cohabitation, and romantic relationships among gay men and lesbians are included. This book provides ideas and tips that can help individuals struggling with relationship conflicts learn from past mistakes, move forward beyond their disappointment, and look toward a new beginning of a successful relationship. This book can also be a useful resource for psychotherapists and couple counselors as they work with their clients.

  • Sales Rank: #2673871 in Books
  • Published on: 2014-02-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.00" l, .66 pounds
  • Binding: Paperback
  • 218 pages

About the Author
Dr. Asaad is a practicing psychiatrist, certified by The American Board of Psychiatry and Neurology. He is director of Behavioral Medicine & Counseling Center in Danbury, Connecticut. He is an author who has published other books and several scientific papers in the field of Mental Health.

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1 of 1 people found the following review helpful.
A must read for all relevant Relationships!
By Kimberly Dorsey
I found this book to be vitally informative, with many essential tips for people whom have been married or are in a serious relationship. It also includes gay and lesbian relationships and is intuitively riveting. Dr. Asaad is brilliant and my husband and I learned a lot from reading such an inspiring book! I recommend it highly, and without reservation. It is a must read!
Furthermore, this Doctor has a vibrant and uplifting personality. I sent this book to my close friends and they are all grateful. There is always something new to learn to improve our relationships. Dr. Ghazi Assad should be on Oprah's Own network as he brings rays of sunshine into peoples lives!!
Sincerely,
Kimberly Dorsey, BFA, CDA, MA

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[V240.Ebook] Download PDF Highbrow/Lowbrow (The William E. Massey Sr. Lectures in the History of American Civilization), by Lawrence W. LEVINE

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Highbrow/Lowbrow (The William E. Massey Sr. Lectures in the History of American Civilization), by Lawrence W. LEVINE

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Highbrow/Lowbrow (The William E. Massey Sr. Lectures in the History of American Civilization), by Lawrence W. LEVINE

In this unusually wide-ranging study, spanning more than a century and covering such diverse forms of expressive culture as Shakespeare, Central Park, symphonies, jazz, art museums, the Marx Brothers, opera, and vaudeville, a leading cultural historian demonstrates how variable and dynamic cultural boundaries have been and how fragile and recent the cultural categories we have learned to accept as natural and eternal are.

For most of the nineteenth century, a wide variety of expressive forms--Shakespearean drama, opera, orchestral music, painting and sculpture, as well as the writings of such authors as Dickens and Longfellow--enjoyed both high cultural status and mass popularity. In the nineteenth century Americans (in addition to whatever specific ethnic, class, and regional cultures they were part of) shared a public culture less hierarchically organized, less fragmented into relatively rigid adjectival groupings than their descendants were to experience. By the twentieth century this cultural eclecticism and openness became increasingly rare. Cultural space was more sharply defined and less flexible than it had been. The theater, once a microcosm of America--housing both the entire spectrum of the population and the complete range of entertainment from tragedy to farce, juggling to ballet, opera to minstrelsy--now fragmented into discrete spaces catering to distinct audiences and separate genres of expressive culture. The same transition occurred in concert halls, opera houses, and museums. A growing chasm between "serious" and "popular," between "high" and "low" culture came to dominate America's expressive arts.

"If there is a tragedy in this development," Levine comments, "it is not only that millions of Americans were now separated from exposure to such creators as Shakespeare, Beethoven, and Verdi, whom they had enjoyed in various formats for much of the nineteenth century, but also that the rigid cultural categories, once they were in place, made it so difficult for so long for so many to understand the value and importance of the popular art forms that were all around them. Too many of those who considered themselves educated and cultured lost for a significant period--and many have still not regained--their ability to discriminate independently, to sort things out for themselves and understand that simply because a form of expressive culture was widely accessible and highly popular it was not therefore necessarily devoid of any redeeming value or artistic merit."

In this innovative historical exploration, Levine not only traces the emergence of such familiar categories as highbrow and lowbrow at the turn of the century, but helps us to understand more clearly both the process of cultural change and the nature of culture in American society.

  • Sales Rank: #430269 in eBooks
  • Published on: 2009-06-30
  • Released on: 2009-06-30
  • Format: Kindle eBook

From Library Journal
Levine contends that early 19th-century America was characterized by no rigid cultural divisions between elite and mass culture. By the later part of the century, however, a clear line had been drawn; Shakespearean plays, classical music, and art of the old masters increasingly became the property of the elite only. The pendulum has swung back now, he observves, as there is a lessening of cultural divisions in contemporary America. A well-written contribution to the history of American culture. Without hestitation, this book is recommended highly to all academic American studies and popular culture collections as well as to large public libraries. Susan A. Stussy, St. Norbert Coll., De Pere, Wis.
Copyright 1988 Reed Business Information, Inc.

Review
Provides just the kind of balanced, historically informed assessment that can be of immediate value at a time when appeals to eternal truth fly thick and fast. (Walter Kendrick Village Voice Literary Supplement)

We can all appreciate a scholar who bites the process that feeds him. Highbrow/Lowbrow sinks its teeth into our smug cultural assumptions and holds on for dear life. (Carlin Romano Washington Post Book World)

[This book] provides depth and complexity to a debate that has degenerated into stale polemics. By unearthing a wealth of fascinating details about American culture in the middle and later nineteenth century, Levine shows us how much has changed en route to the twentieth. In particular, he reveals how recently the categories of "high" and "low" culture came into being, and how thoroughly they were shaped by class prejudice and ethnocentric anxiety...Highbrow/Lowbrow is absorbing and provocative, clearly a product of humane judgment and mature reflection, and a pleasure to read. (Jackson Lears Tikkun)

How we Americans came to treat symphony and chamber concerts and operas as if we were going to church is an interesting tale. For a most thorough and informative discussion, please read Lawrence Levine's witty book. (Willa J. Conrad Newark Star-Ledger)

Levine offers a fascinating account of the nation's evolving artistic tastes and thereby challenges any aesthetic storm trooper who would try to enforce an oversimplified notion of Culture with a capital C...What [he] proves, compellingly, is that we should be less rigid in our aesthetic judgments. (Lisa Zeidner Philadelphia Inquirer)

Levine's lucid, mind-stretching and highly accessible scholarship describes how, by the late nineteenth century, American culture divided into high art and low, two warring camps. (Newsday)

Remarkably interesting. (Fredric Paul Smoler Nation)

This book, like all of Levine's work, invites us out to play. His writing is highly engaging, his argumentativeness provocative. Even in his lament he gives us hope, for he has written a high-minded and very American defense of the unforeclosed and pluralist potential of democratic culture. (Michael Fellman American Historical Review)

From the Back Cover
'Provides just the kind of balanced, historically informed assessment that can be of immediate value at a time when appeals to eternal truth fly thick and fast.'

Most helpful customer reviews

79 of 90 people found the following review helpful.
One of the best books ever written on theatre--a joy
By Miss Otis
The Scene: Three months before my qualifying exams. I have crammed every book on theatre I can think of. I have notecards that I memorize. I have no love of theatre anymore, no interest in the subject, just trying to get through the ordeal that so many of my friends have failed. I don't allow myself to read books for fun, or all the way through. I only skim for facts to drop.
One day this book arrives in the mail with several others I've ordered. I dutifully skim it for facts to put on my notecards. I find myself being drawn in. It is academic reading--I couldn't imagine that it could be all that enjoyable. More importantly I don't have time to enjoy a book. But I am enjoying it, so I decide to let myself really read the first chapter (on Shakespeare).
I can't put it down. I'm reading about museums now, public parks, things that I will never be able to use on my exams, but I love the way he thinks! Not only am I loving Levine's incredible book, but I am even excited about my field again. Levine's book is an incredible gift, a gift that helped me renew my delight in what scholarship and history can do. A model I will never live up to, but will cherish and delight in. And I did pass, quoting Levine not to impress, but out of a real delight in the field and the joy of sharing ideas.

19 of 19 people found the following review helpful.
Charts the Development of American Culture
By M. P. Procter Sr.
Spanning over one hundred and fifty years, Lawrence W. Levine's Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America, charts the development of culture beginning in the late eighteenth century to the early twentieth century. In Highbrow/Lowbrow, Levine tells the reader through various examples how the United States began with forms of culture celebrated by most of the countryside's population through the years where cultural classes developed and finally to the point where some cultural subjects nearly died off. Through narrow fields of entertainment, he is able to define what was and was not popular culture; how various forms of cultural entertainment were performed and watched or listened to by the general public; and how several key people in the late nineteenth century helped preserve art forms that still exist today. Three distinct areas are covered in the book's three chapters: Chapter One, "William Shakespeare in America" focuses on the popularity and decline of the performance of Shakespeare's works; Chapter Two, "The Sacralization of Culture" highlights the development and developing highbrow status of symphonies and orchestras; and Chapter Three, "Order, Hierarchy and Culture" describes how culture evolved from entertainment for many to culture for few. Lastly, an epilogue from the author briefly expands on culture today versus culture in the past century.

"William Shakespeare in America" chronicles the rise and fall of the performance of Shakespearean plays in the United States from after the Revolutionary War until the end of the nineteenth century. Dramatic performances of Shakespeare were not the norm for the most part, but "...burlesques and parodies...constituted a prominent form of entertainment..." throughout the country. His plays were so popular that they constituted a large portion of theater presented throughout the early-to-mid nineteenth century with the most popular actors and actresses from Europe and America performing. These performances were not limited to the big cities of the eastern seaboard either; they were even performed in small cities throughout the Midwest and western states, like Mud Springs, Cherokee Flat and Rattlesnake in California and mine towns like Silver City, Dayton and Carson City. They were shown with a simple formula: Shakespeare was shown with "...afterpieces and divertissements that surrounded his plays...." Also, the draw to see these plays was strong "...because the people wanted to see great actors who in turn insisted on performing Shakespeare to demonstrate their abilities...." Another point of interest that Levine describes is that plays were seldom true Shakespearean works. Oftentimes the plays were ad-libbed or modified to satisfy the crowd, or the title and content slightly changed to bring about other meanings. For example, a version of Richard III was revised "...by cutting one-third of the lines, eliminating half of the characters, [and] adding scenes from other Shakespearean plays...." However, those who were the self-appointed guardians of high-end theater towards the end of the century, converted Shakespeare "...from a popular playwright whose dramas were the property of those who flocked to see them, into a sacred author who had to be protected from ignorant audiences...."

Next, in "The Sacralization of Culture," Levine does an excellent job of describing how many of the most popular opera houses and symphony orchestras in America were formed. Two big names in the music industry of the day, John Philip Sousa, who is known for his patriotic marches and Henry Lee Higginson, who formed the Boston Symphony Orchestra, are just two of the many cultural revolutionaries Levine discusses in the text. Sousa appealed to the masses, saying that the public would come to appreciate "`high class'" music more if it was interlaced with popular tunes. By contrast, Higginson believed that it was sacrilege to play anything other than classical music in its original form and pandered to the more cultured of society. Even though Higginson made great strides for musicians like paying salaries and starting pensions, he held so strongly to his beliefs for pure music that he operated the symphony at a loss and needed benefactors to keep it afloat. Throughout the chapter, similar subjects are also addressed, such as who should and should not enter museums, what they should wear and how they should conduct themselves once inside.

In "Order, Hierarchy, and Culture," Levine explains how attending events like plays and concerts evolved from "Whispering, talking, laughing, coughing...sneaking snacks, [and] spitting tobacco..." to a "...general success in disciplining and training audiences..." in more respectful behavior. Moreover, museum staffs were dedicated to developing the manners and behaviors of their patrons. One example was the ejecting of a plumber who not only wore his work clothes to the New York Metropolitan Museum of Art but visited the museum directly from work. The museum did not want patrons who smelled bad or who had oil and grease stains on their clothes. This policing was not limited to events held indoors. New York's Central Park had so many regulations as to where one could sit, for example, that it was almost not enjoyable to spend any time there. This effort to raise the cultural standards was intended to raise the cultural awareness of society at large.

The epilogue concludes the text stating that isolating certain cultural themes, like opera for example, has diminished its importance overall. Allan Bloom, the author of The Closing of the American Mind, is quoted as saying, "Classical music...is [now] `dead among the young'...."

As was said earlier, Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America does an excellent job of describing the rise and fall of Shakespearean drama in America and further gives an excellent portrayal of the development of opera and orchestral music. Additionally, the chapter dealing with the education and development of the viewing and listening public emphasizes how several art forms fell out of vogue with the general public, being labeled too highbrow for many. Although written in 1988, the reader can easily see parallels to today with the popularity of certain art forms like hip-hop music. The stereotypes still exist which classify those who enjoy that form of entertainment as lowbrow. In contrast, those who attend the symphony are seen as a higher social class. It is unfortunate that the highbrow intellectuals of the late nineteenth century were allowed to classify people and their entertainment tastes to such an extreme. Because of their beliefs, opera, classical music, and Shakespearean plays will never be exposed to many in America who would benefit by and truly enjoy them.

8 of 8 people found the following review helpful.
Essential to understand culture in Imperialist Society
By Tony Thomas
Simply put, across the late 19th Century the newly consolidate ruling class of industrial and financial magnates seized control over the definitions of culture, established an iron wall between high and low culture, moved to change the relationship between audience and performer, and between performers and those who dicated culture and owned cultural institutions, and changed museums and libraries from institutions established to broaden knowledge for all into places where the elite contemplate perfection.

Levine is one of the great historians, having done his featured work on African American history and culture. Yet, he writes in clear, understandable language. The book is extremely well referenced with every section's notes being the beginning for scholarship and knowledge on what he speaks.

Published in 1990, the book can hardly be taken to task for developments that have come to fruition since then. Music and culture once seen as alternatives to the Eurocentric approaches to high culture Levine outlines, seem to have proceded along the same lines. Free and post-modern Jazz, once the product of an iconoclast approach to mainline Jazz, has tended to take the view that it is "high art" to be comprehended by the totally advanced versus entertainment, while a politically conservative trend to paint Jazz as the U.S/s "true" classical music demand that Jazz emulate European "classical" music with a canon and repertory orchestras aimed at reproducing that canon. Meanwhile, they expel Jazz artists with strong links to Black popular music and dance from their definitions of Jazz. Few tend to share the views of Art Blakey and others about the need to reestablish Jazz as a form of dance and entertainment music for African Americans.

My own focus has been on traditional Black and European American string band music, marketed as "Old Time Music" by record companies in the 1920s. This music was originally produced as pure entertainment for dancing and amusement for the most humble workers, farmers, share croppers, and small businesspeople of the South. Yet, in OTM there is often such an emphasis on knowledge of the history, folkways, and cultural references that one might think that like the art and drama Levine shows to have been "high browed," some believe that OTM can only be appreciated or performed by those who have amassed sufficient knowledge.

Indeed, the entire hipster approach that emerged in the Jazz age with Jazz, Blues, folk, and other alternative musics mirrors the high brow approach used around high culture. Implict in being a hipster is the belief that whatever may be popular is intrinsictly inferior to that "hip" sound that only a small sector of the knowing can appreciate. Hipsters usually move on once music they deemed "hip" becomes popular.

O

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[M542.Ebook] PDF Ebook Gentle Babies Essential Oils and Natural Remedies for Pregnancy, Childbirth, Infants and Young Children, by Debra Raybern

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Gentle Babies Essential Oils and Natural Remedies for Pregnancy, Childbirth, Infants and Young Children, by Debra Raybern

Combining two decades of professional knowledge with tried-and-true techniques and first-hand testimonials, the author has compiled this insightful and easy to follow guide benefiting both experienced and first-time mothers. In addition, the book contains an introduction to Young Living therapeutic-grade essential oils and applications and provides safety information and a section on discerning the quality of essential oils. Every family taking proactive steps to better health should have this resource in their home library.
"This is the first and only book we recommend specifically for mothers and expectant women. Every family needs this book." - Dr. David and Lee Stewart, authors of Safe Alternatives in Childbirth, Five Standards for Safe Childbearing, Healing Oils of the Bible and The Chemistry of Essential Oils Made Simple.
"I recommend this book to everyone I know, especially those proactively supporting the health of their children and grandchildren. It is my hope that every household will own this book and every child may benefit from the information on the use of therapeutic-grade essential oils." - Jamie Hyatt, R.N., F.C.C.I., B.C.R.S., L.S.H.
TABLE OF CONTENTS:
Acknowledgements
Important Information
Foreword
Introduction: Precautions, When to Seek Medical Attention, What are Essential Oils?, How to Use Essential Oils
Loss of Pregnancy
Balance Guide
Nutrition Guide
Birth Kits
Dr. Mom's Wellness Chest
Testimonies
About the Author
Reference and Resource List
Resource Guide
Order Young Living Products
Index
Notes

  • Sales Rank: #2416 in Books
  • Published on: 2014
  • Number of items: 1
  • Binding: Paperback
  • 116 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
This book was highly recommended by many people so I was excited to get ...
By Brandy G
This book was highly recommended by many people so I was excited to get it. However I was extremely disappointed with the unsafe suggestions and practices. It is brand specific as well so won't be useful to those that use other essential oils. I definitely tell people to pass on this one, there are a ton of great books out there that provide safe information.

0 of 0 people found the following review helpful.
The layout is fantastic and it's well organized
By Mcc2539
I use this book for everything essential oil related! Its my number one go to product when looking for an oil to be able to use safely in my children.
The layout is fantastic and it's well organized.
More than a reference guide, it gives helpful information such as oils to avoid for children. Some essential oils aren't safe nor recommended for pregnant women, so it goes through all of that as well.
They break it down based on who you're using the oils for. Babies, which are referenced as one day old all the way to 2 years old, toddlers and young kids(2-5years old), and then other children 5 and above.
It also explains what essential oils are and how to use them. How to benefit from them, how to store them.
It really is a must have for all moms of young ones and mothers to be that are essential oils users! Totally recommend this book!

2 of 2 people found the following review helpful.
Not as comprehensive and thorough as I'd like, but it's a good resource for parents like ...
By neenu
Not as comprehensive and thorough as I'd like, but it's a good resource for parents like me who are looking for natural remedies for kids, especially the really young ones. Whenever my doctor prescribes a drug for my sick child, I consult this book first and see if there are natural alternatives that can get the job done as effectively.

I've bought at least 10 more copies of this book to give away to my mommy friends!

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[D604.Ebook] Fee Download Paper Pups: 35 Dogs to Copy, Cut & Fold, by Hiroshi Hayakawa

Fee Download Paper Pups: 35 Dogs to Copy, Cut & Fold, by Hiroshi Hayakawa

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Paper Pups: 35 Dogs to Copy, Cut & Fold, by Hiroshi Hayakawa

Paper Pups: 35 Dogs to Copy, Cut & Fold, by Hiroshi Hayakawa



Paper Pups: 35 Dogs to Copy, Cut & Fold, by Hiroshi Hayakawa

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Paper Pups: 35 Dogs to Copy, Cut & Fold, by Hiroshi Hayakawa

Cute crafts and adorable dogs—what could be more irresistible? From a Golden Retriever and French Bulldog to the beloved mutt, these 35 paper pups are appealing and fun to create. They're made using kirigami, an art similar to origami: just photocopy the full-size templates and follow the simple steps to transform a flat shape into a dimensional animal! In addition to the dogs, accessories include a fire hydrant, doghouse, and a collection of collars to adorn your paper pet.

  • Sales Rank: #737041 in Books
  • Brand: Sterling Publishing
  • Model: STP-03921
  • Published on: 2013-05-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.45" h x .41" w x 8.78" l, 1.34 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Sterling Publishing-Paper Pups
  • Cute Crafts And Adorable Dogs- What Could Be More Irresistible? From A Golden Retriever And French Bulldog To The Beloved Mutt These Thirty-Five Pups Are Appealing And Fun To Create
  • Author: Hiroshi Hayakawa

Review
“Hayakawa (Kirigami Menagerie) has been an origami enthusiast since childhood, and his second book focuses on dogs made out of folded card stock. The introduction explains the basics of cutting and folding; specific directions, as well as illustrations of key steps and a full-color photograph of the finished piece, are included with the information on creating each dog. Rather than starting with a full sheet of origami or office paper, Hayakawa recommends photocopying the reproducible template for the dog of your choice onto card stock, then following the cutting and folding directions for the specific animal . . . the results are surprisingly realistic . . . origami enthusiasts can amaze their friends with their ability to create everything from a mutt to a poodle.” —Library Journal�“Making these little paper dogs was so easy with the awesome patterns… So whether you are a dog lover or paper lover or both you will surely get a kick out of making all these little Paper Pups.” —Craft Gossip

About the Author
Hiroshi Hayakawa is a professor of drawing and mixed-media photography at the Columbus College of Art and Design. He earned BFAs in Photography and Fine Arts from the Columbus College of Art and Design, as well as his MFA in Photography at Cranbrook Academy of Art in Michigan. Hiroshi began making kirigami animal sculptures in the mid-'90s when he was asked to create table decorations for a Chinese New Year's party. The Sherrie Gallerie in Columbus, OH represents Hiroshi's photography. He lives in Columbus.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Great book for fans of origami / kirigami and crafts
By D. Doppes
I was able to see Mr. Hayakawa make some of his designed pups, first hand- at todays Asian festival in Columbus, Ohio. He made numerous breeds of pups for kids. And he took the time to show them how to make some of his projects. He was really nice to everyone. It was interesting to watch how he could fold, cut and shape these paper pups with ease and skill. Off to the side, he had a copy of all 35 pups, fully constructed and painted. They looked impressive and gave those of us in the audience a sense of what could be done with these creations.

The book itself, is very well illustrated. Each breed of dog has its own section, showing you the step by step process. The instructions are very clear and concise. Theres even a symbol key in the front of the book to show you what each one means. There are five tools that you need, which are also shown in a color photo. Many of these items you will have at your home already. After seeing the finished pups in the photos, you will want to detail them with paint as well.

Besides the pups, there are several accessory items you can add to your dog. A dog house, ribbons, bows , sweaters, coats and a fire hydrant. And you can find a handful of other projects online. This would be a fun project book for anyone of any age. I imagine it would be ideal for parents and their children to enjoy together.

I highly recommend this book

7 of 7 people found the following review helpful.
Cute paper dogs!
By Hello Happy
Although I'm just a beginner at the cutting and folding techniques of origami and kirigami, I have enjoyed using these techniques for many years. Since Paper Pups comes with the templates and easy instructions I thought it would be fun to try to create some cute little doggies. The projects are ranked by level of difficulty and even though the Chihuahua was at the intermediate level, that's the one I had to try because I have two real ones! It was pretty easy to follow, even for me, and I first copied the template onto cardstock and then cut it out and followed the folding instructions. In order to color it with similar markings to my own dogs, I used acrylic paints. They say any medium will be fine other than oil based paints. I thought it turned out pretty cute and I even copied the template at a smaller size to make a puppy, too! There's 35 dogs in Paper Pups, so you should be able to find one you like, too!

3 of 3 people found the following review helpful.
Paper Pups: 35 Dogs to Copy, Cut & Fold
By Shirley Best
Have a few friends that have dogs and this was an easy project to do. Book has every things you need except the paper to make the dogs. Once made everyone love them. Great instruction. Delivered undamaged.

See all 16 customer reviews...

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[Y460.Ebook] Download PDF My Sister Rosa, by Justine Larbalestier

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My Sister Rosa, by Justine Larbalestier

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My Sister Rosa, by Justine Larbalestier

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My Sister Rosa, by Justine Larbalestier

"Beats�The Silence of the Lambs�for suspense—it's the kind of book that had me literally gasping aloud as it rattled to its incredible conclusion."
—Cory Doctorow,�New York Times�bestselling author of�Homeland

What if the most terrifying person you know is your ten-year-old sister?

Seventeen-year-old Aussie Che Taylor loves his younger sister, Rosa. But he’s also certain that she’s a psychopath—clinically, threateningly, dangerously. Recently Rosa has been making trouble, hurting things. Che is the only one who knows; he’s the only one his sister trusts. Rosa is smart, talented, pretty, and very good at hiding what she is and the manipulation she’s capable of.

Their parents, whose business takes the family from place to place, brush off the warning signs as Rosa’s “acting out.” Now that they have moved again—from Bangkok to New York City—their new hometown provides far too many opportunities for Rosa to play her increasingly complex and disturbing games. Che’s always been Rosa’s rock, protecting her from the world. Now, the world might need protection from her.

  • Sales Rank: #39748 in Books
  • Published on: 2016-11-15
  • Released on: 2016-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x 1.10" w x 5.80" l, 1.25 pounds
  • Binding: Hardcover
  • 320 pages

From School Library Journal
Gr 9 Up—When Che is forced to move from Australia to the United States, he has two things on his mind: find a new boxing gym and keep the world safe from his sister Rosa. For almost as long as she's been alive, Che has known that something is not right with her. Callous, indifferent, fascinated by pain, she is a threat to all those around her, whether or not her parents see it. When their lives collide with old family friends, Che struggles to keep Rosa in line at the same time as he's experiencing his first love. A tense, thrilling rumination on the psychology of evil, this work manages to keep a suspenseful tone while also showcasing a burgeoning romantic relationship. There are also a wide variety of nuanced and complex diverse characters in Che's New York City neighborhood. Rosa is a truly chilling figure, seemingly unpredictable in her violence yet methodical in her manipulations of those around her. VERDICT While the sexual content and sadistic main character make it a better choice for older readers, the book is a worthwhile selection for YA collections.—Erinn Black Salge, Saint Peter's Prep, Jersey City, NJ

Review
Praise for My Sister Rosa

A Kirkus Reviews�Best Teen Book of 2016
Publishers Weekly Best Young Adult Books of 2016

"[My Sister Rosa�is] amazing... It's a permanent presence in my life now...�[Justine Larbalestier’s] brain is an amazing and terrifying instrument."
—John�Green, author of The Fault in Our Stars

"Manipulative, murderous Rosa is one of the most terrifying villains to come along in fiction in quite awhile."
—Buffalo News

"Not one to shy away from tough subject matter, Larbalestier addresses issues related to gender, sexual orientation, religion, identity, and race with tact . . .�This dark thriller is the 1956 film�The Bad Seed�meets 2016; readers will be simultaneously terrified when Rosa's present and afraid to let her out of their sight."�
—Kirkus, Starred Review

"A chilling contemplation on human morality—Che’s physical sparring in the ring has nothing on his go-arounds with Rosa... [incorporates] sharp commentary on privilege, faith, gender identity, and race. The tension of wondering where and how Rosa will strike next will keep readers riveted from start to finish."
—Publishers Weekly, Starred Review

"Larbalestier reminds readers of her masterful gift for slippery, unreliable characters... thriller fans will devour this suspenseful, chilling meditation on the roles of nature and nurture in creating dangerous criminals."
—ShelfAwareness, Starred Review

"A tense, thrilling rumination on the psychology of evil, this work manages to keep a suspenseful tone while also showcasing a burgeoning romantic relationship.�There are also a wide variety of nuanced and complex diverse characters in Che’s New York City neighborhood. Rosa is a truly chilling figure, seemingly unpredictable in her violence yet methodical in her manipulations of those around her."�
—School Library Journal,�Starred Review

“The plot is devilishly clever, with clues that point to without giving away the surprise twists... even those with no prior experience of [Larbalestier’s] craftiness will find Che’s helplessness in the face of Rosa’s casual cruelty absolutely chilling.”
—The Bulletin for the Center for Children's Books, Starred Review

"With�My Sister Rosa, Larbalestier brings us a novel that starts out as a quirky family story with a cast of intriguing and likeable characters (even the titular pyschopath), but which quickly races into psychological thriller territory that meets and beats�The Silence of the Lambs�for suspense—it's the kind of book that had me literally gasping aloud as it rattled to its incredible conclusion."
—Cory Doctorow for BoingBoing.com

“My Sister Rosa�is a gripping, terrifying, wonderful story that I could not put down.”
—Laurie Halse Anderson

"An utterly compelling and wonderfully creepy exploration of the many faces of psychopathy. Rosa will stay with you long after you turn the last page."
—Jay Kristoff,�New York Times�bestselling coauthor of�Illuminae

"My Sister Rosa�is terrifying, brilliant, and heart-wrenching. A must read."
—Cindy Pon, author of�Serpentine

“The evil in the room across the hall, the evil in the flowery party dress, the evil who just wants a bedtime story—Rosa is more frightening and more adorable than any villain you have yet met. Larbalestier is at her tricky, terrifying best in this novel.”
—E. Lockhart,�New York Times�bestselling author of�We Were Liars

"Larbalestier masterfully crafts a unique tale about a boy and his kid sister who bring old problems to a new city. It's darkly funny, disconcerting, and absolutely brilliant!"��
—Jason Reynolds, author of�The Boy in the Black Suit�and coauthor of All American Boys

"Haunting is the best way to describe Larbalestier's latest home run... I loved the hidden depth of the secondary characters and found the complexity of the family dynamics familiar and fascinating."
—RT Book Reviews

"In confronting Rosa’s sinister tendencies, Che not only comes face-to-face with his family’s dark past but also a few grim secrets of his own... A captivating exploration of family, fate, and the fight to outrun them."
—Booklist

"A toe-curling psychological thriller."
—The Sydney Morning Herald

"Larbalestier’s novel is a slow boil, moody and tense, with just the right amount of creep factor and a casually diverse cast of characters . . .�Che’s journey toward self-awareness is at times enlightening, at times devastating, and the threat of violence from Rosa is suspenseful and truly terrifying."
—The Horn Book Magazine

"Outstanding... This is a subtle but completely unsettling examination of how evil is born and how it is often found in the most unsuspecting places. �My Sister Rosa is tough to put down and even more difficult to forget."
—New Mystery Reader

"The sense of impending doom overshadowed all. It will take some time to truly absorb�My Sister Rosa�and more time to recover . . . An excellent psychological thriller featuring diverse characters; it’s a page-turner that happens to fall into the YA category."�
—DarkMatterZine.com

Praise for Razorhurst

"A day full of bloody confrontations, secret alliances and unexpected romance . . . fascinating setting, colorful names, and sharp, peppery dialogue."
—The New York Times Book Review

"Vivid . . . Lavishly imagined . . . Larbalestier's elaborate world is sure to linger."
—Los Angeles Times

"Vivid and bloody and bold and fast—I feel like Razorhurst is in my bones now."
—Elizabeth Gilbert

"Sure, it is shiny and chilly and bloody and sharp, like the razor of the title, but Larbalestier's book is also magical and glamorous."
—E. Lockhart, New York Times bestselling author of We Were Liars

"Larbalestier packs plenty of danger into the single day this novel covers . . . [The] story's interwoven intrigue and empathy make it feel timeless."
—Publishers Weekly, Starred Review

"Larbalestier pulls no punches with the gruesome, gory details about the violence of poverty, and the result is a dark, unforgettable and blood-soaked tale of outlaws and masterminds."
—Kirkus Reviews, Starred Review


About the Author
Justine Larbalestier is the Australian-American author of many novels, including the award-winning Razorhurst and Liar, which both received four starred reviews. Justine lives in Sydney, Australia, and New York City, though not at the same time. You can find her on Twitter @JustineLavaworm and her website, justinelarbalestier.com.

Most helpful customer reviews

12 of 13 people found the following review helpful.
I found this book absolutely fascinating. The story is ...
By Fiona Friedrich
I found this book absolutely fascinating. The story is told from the perspective of Che, a lovely, thoughtful, gorgeous young man, with a sense of responsibility way beyond his years. His younger sister, Rosa, is deeply disturbed, yet seemingly to those who first meet her, a delightful little girl. Che's parentals are either deluded or in denial, possibly both. If you're into the darker side of the psyche, this book is absolutely fabulous, with well drawn and relatable characters. (Hopefully Justine is planning another book about Rosa.)

4 of 4 people found the following review helpful.
Loved it!
By SCinBNA
This book was hard to put down. Very suspenseful and endearing at the same time. Rosa is the creepiest kid character I've read in a long time.

20 of 24 people found the following review helpful.
Diverse, interesting characters
By Pink Amy
Che spends his days protecting the world from his psychopathological ten-year-old sister, trying to teach her empathy. Rosa charms adults, her enjoyment comes from fooling even her doctors. She's killed animals, now she's threatening to kill people.

One of my pet peeves about psychology books is inaccurate portrayal of mental illness (though one could argue whether Antisocial Personality Disorder is a true mental illness or a psychological condition). I felt like writer Justine Labalestier googled APD and wrote Rosa based on what she read, rather than actual knowledge of people with the condition. Children are diagnosed with Conduct Disorder, not APD as personality disorders can't be diagnosed before the age of 18. Family Che has diagnosed with APD are caricatures.

Nothing much happened in the first 65% of MY SISTER ROSA. Che told, rather than showed what he saw to be Rosa's pathology. I liked, rooted and felt sorry for him. I also wondered about the reliability of his narration. I kept waiting for Something Big to happen and when it did, I didn't feel a rush of emotion or much of anything. The ending felt anticlimactic.

Labalestier developed an diverse cast of minor characters of different races, religions, sexual orientations and gender expressions. All of the characters had interesting back stories.

MY SISTER ROSA will appeal to and frustrate those interested in psychology.

See all 47 customer reviews...

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